The Sitters
Members, not models: four people from a credit union's own membership, one at a time, on four plain backdrops.
Work
Commissions and stories, filed the way we shoot them. Each project lists its client, the licence they bought and everyone who made it.
The Olive Room
A spring capsule shot against olive paper with one warm light pool, so every look carries the same evening.
Last Call
A new cocktail list shot at the bar after closing, one drink at a time, in a single strip of warm light.
Quiet Formula
One unlabelled bottle, marble and amber cloth, and shadows cut from real branches.
Second Act
Two founders who started companies after sixty, photographed on the same grey canvas a week apart.
Low Table
A tasting menu photographed in service, plate by plate, on the restaurant's own dark tables.
First Proof
Hands, flour and dough for a stone mill's new packaging: the process, never the finished loaf.
Glaze Study
A ceramics lookbook made against a backdrop painted for the shoot and a wall we left unfinished.
North Flat
A two-room apartment done in pine, plywood and white, photographed over a day of changing light.
The Sitter in Clay
A portrait sculptors' studio in the last month before an exhibition, the busts larger than the people making them.
The Joinery
Two days in a furniture maker's workshop, from rough boards to the first joint.
Wheel Days
A potter's working day at the wheel, for the shop that sells his pots.